I'm pretty sure you all know what Hamilton is. Actually… I’m sure you all know what Hamilton is, and I’m also sure you know about Moana, Encanto, and In the Heights. Lin-Manuel Miranda is one of the best modern songwriters and playwrights. He’s given us so much entertainment that’s outside of the box and extremely fun to listen to. I don’t know who walked into a room and was like, “let’s write a rap musical about the founding fathers,” and everyone thought it was a good idea, but they pulled it off. From his early days of songwriting, to the phenomenon that he’s grown to be, he’s had some amazing successes, and some less known. I wanted to find out just what makes his creations so good, and break down the creative process behind them.
#1: Freestyle Love Supreme
I just went to see Freestyle Love Supreme earlier this year and…oh my god. It met my expectations and exceeded them far beyond. Now, I’m sure you're probably trying to figure out what the heck I’m talking about. Freestyle Love Supreme is an improv, hip-hop, comedy musical group that was started in 2004 by Lin-Manuel Miranda and Anthony Veneziale. With Freestyle Love Supreme, it’s not scripted, and no two shows are the same. They basically take suggestions from the audience on their various skits and songs and create something totally new.
During an interview with Lin-Manuel Miranda about FLS on Jimmy Fallon, he says, “We started doing this in the basement of the Drama Bookshop…in like 2003.” He then says that they were working on In the Heights at the time and that they had no money and were trying to get along. ”Anthony…who worked at the bookshop, he would come in and distract us. He would be like ‘lets rap about our day.’” Miranda says that he, Christopher Jackson (Who played Benny on In The Heights), and Anthony would just do freestyle raps all of the time for fun.
“Anthony saw this and was like… “we should do this in front of people!” And lo and behold, Freestyle Love Supreme was created. The first performance of FLS was actually during the 2003 blackout in New York, and after that, there were many on and off-Broadway productions for the OG group, and some of them even appeared on multiple T.V. shows, like the Electric Company revival in 2009. They also created their T.V. show, and in 2020, they made a documentary called We Are Freestyle Love Supreme. There have been many variations of the cast over the years, but all of them are fantastic freestyle rappers and beatboxers. During my “I’m obsessed with Lin-Manuel Miranda,” phase, I discovered that FLS was performing at the Pasadena Playhouse. The show was mind-blowing and arguably one of the best things I’ve ever seen.
So…if Freestyle Love Supreme is so good, why does basically everyone I asked have no idea what it is? I think this is because FLS was one of Miranda’s early projects that never really made it AS big as Hamilton or In the Heights. So…if you take anything out of this article, it should be that you should see Freestyle Love Supreme…or at least watch the documentary.
#2: tick, tick…BOOM!
Yes, Lin-Manuel Miranda directed and wrote the music for the film version of tick, tick…BOOM! And no, no one knows about it. Johnathan Larson, who also wrote Rent, wrote tick, tick…BOOM! as a sort of life story type thing. The show was ultimately unfinished and wasn’t picked up after Larson's surprising death in 1995. In 2019, Miranda picked it up and started working on it for the film version with new songs and everything. Andrew Garfield (my favorite) stars in the movie, and in my opinion, he does amazing. I’m not going to talk too much about the plot, but in a summary, it’s about Johnathon Larson's journey into being a songwriter and composer. He’s working on a rock musical that’s taken eight years of his life, but he feels like he’s running out of time (hence the title.) He faces many challenges, like breaking up with his girlfriend, and learning that his best friend has AIDS, and he ultimately loses sight of his relationships and responsibilities in his insane drive toward completing this project. The message of this story or something that the producers and directors wanted to get across was getting people to ask the question of what are we doing with our time on earth.
When Lin started working on the movie, one of the biggest things that drove him forward, he says, is that the main character in this movie is SO much like him.
“They cut to John’s apartment,” he says, talking about how he was going over the rough cut of the movie, “And Quiara (his friend) turns to me and goes, ‘Lin…that’s your bedroom dude.’” Throughout the entire making of the movie, the whole crew tried to give it that New York 1990’s feel, and Lin really being able to feel and know what it’s like to be a struggling musician in New York made that whole idea so real.
“And so to set this up,” he says, “The conceit of the movie is anytime John starts singing, we go into the world according to Johnathan Larson.” What Lin means by this is that the cameras switch, the colors are altered, and you feel immersed.
“And Johnathan Larson wrote this rap song called “Play Game” in 1990 and it was all about how much he didn’t like what was on Broadway.” He then goes on to talk about how this influenced the perspectives in the movie and the way that all the characters were portrayed. I think that this entire movie is an excellent way to see the thought process behind all that happened in the creation of Rent, but also to look at how musicians see and experience the world. I watched it just recently, and I loved it. So, go watch tick, tick, BOOM! (Before you run out of time.)